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List

  1. Allen, Richard, Malcolm Turvey (eds), Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson (Amsterdam University Press, 2004)

  2. Armbrust, Walter, editor. Mass Mediations: New Approaches to Popular Culture in the Middle East and Beyond. Berkeley: University of California Press, c2000 2000

  3. Bay-Cheng, Sarah, Chiel Kattenbelt, Andy Lavender, Robin Nelson (eds), Mapping Intermediality in Performance (Amsterdam University Press, 2010) 

  4. Bergfelder, Tim, Sue Harris, Sarah Street (eds), Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema (Amsterdam University Press, 2007)

  5. Bijsterveld, K, J. Van Dijck (eds), Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (Amsterdam University Press, 2009)

  6. Bloch, R. Howard, and Frances Ferguson, editors Misogyny, Misandry, and Misanthropy. Berkeley: University of California Press, c1989 1989

  7. Blom, Ivo, Jean Desmet and the Early Dutch Film Trade (Amsterdam University Press, 2004)

  8. Boomen, Marianne van den, Sybille Lammes, Ann-Sophie Lehmann, Joost Raessens, Mirko Tobias Schäfer (eds), Digital Material : Tracing New Media in Everyday Life and Technology (Amsterdam University Press, 2009)

  9. Bordwell, David, Ozu and the Poetics of Cinema

  10. Brunette, Peter, Roberto Rossellini. University of California Press, c1996 1996

  11. Burch, Noel, To the Distant Observer: Form and Meaning in the Japanese Cinema

  12. Burton, Julianne, The Social documentary in Latin America

  13. Byg, Barton. Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub. Berkeley: University of California Press, c1995 1995

  14. Clemens, Justin, Dominic Pettman, Avoiding the Subject: Media, Culture and the Object (Amsterdam University Press, 2004)

  15. Day, James. The Vanishing Vision: The Inside Story of Public Television. Berkeley: University of California Press, c1995 1995

  16. Elsaesser, Thomas (ed), A Second Life : German Cinema’s First Decades (Amsterdam University Press, 1996)

  17. Elsaesser, Thomas (ed), Harun Farocki: Working on the Sight-Lines (Amsterdam University Press, 2004)

  18. Elsaesser, Thomas,  Jan Simons, Lucette Bronk (eds), Writing for the Medium: Television in transition (Amsterdam University Press, 2004)

  19. Elsaesser, Thomas, European Cinema: Face to Face with Hollywood(Amsterdam University Press, 2005)

  20. Elsaesser, Thomas, Fassbinder’s Germany: History, Identity, Subject (Amsterdam University Press, 1996)

  21. Elsaesser, Thomas, Noel King, Alexander Horwath (eds), The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam University Press, 2004)

  22. Flinn, Caryl. The New German Cinema: Music, History, and the Matter of Style. Berkeley: University of California Press, c2004 2004

  23. Frame, John M., Theology at the Movies

  24. Grønstad, Asbjørn, Transfigurations: Violence, Death and Masculinity in American Cinema Amsterdam, 2008)

  25. Gutiérrez-Jones, Carl. Rethinking the Borderlands: Between Chicano Culture and Legal Discourse. Berkeley: University of California Press, c1995 1995

  26. Hagener, Malte, Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (Amsterdam University Press, 2007)

  27. Hediger, Vinzenz, Patrick Vonderau (eds), Films that Work : Industrial Film and the Productivity of Media (Amsterdam University Press, 2009)

  28. Heide, William van der, Malaysian Cinema, Asian Film: Border Crossings and National Culture (Amsterdam University Press, 2002)

  29. Henderson, Brian, and Ann Martin, editors. Film Quarterly: Forty Years – A Selection. Berkeley: University of California Press, c1999 1999

  30. Higashi, Sumiko. Cecil B. DeMille and American Culture: The Silent Era. Berkeley: University of California Press, c1994 1994

  31. Horton, Andrew, Play it again, Sam: retakes on remakes. Berkeley: University of California Press, c 1998 1998

  32. Iampolski, Mikhail. The Memory of Tiresias: Intertextuality and Film. Berkeley: University of California Press, c1998 1998

  33. Jacobs, Lewis, The Rise of the American Film: A Critical History

  34. Johnson, Randal, The film industry in Brazil: culture and the state

  35. Karlstrom, Paul J., editor On the Edge of America: California Modernist Art, 1900-1950. Berkeley: University of California Press, c1996 1996

  36. Kenner, Hugh. Chuck Jones: A Flurry of Drawings, Portraits of American Genius. Berkeley: University of California Press, c1994 1994

  37. Kester, Bernadette, Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) (Amsterdam University Press, 2002)

  38. Kinder, Marsha. Playing with Power in Movies, Television, and Video Games: From Muppet Babies to Teenage Mutant Ninja Turtles. Berkeley: University of California Press, c1991 1991

  39. Kolker, Robert Philip,  The Altering Eye

  40. Kooijman, Jaap, Fabricating the Absolute Fake: America in Contemporary Pop Culture (Amsterdam University Press, 2008)

  41. Kooijman, Jaap, Patricia Pisters, Wanda Strauven (eds), Mind the Screen: Media Concepts According to Thomas Elsaesser (Amsterdam University Press, 2008)

  42. Kracauer, Siegfried, From Caligari To Hitler: A Psychological History Of The German Film

  43. Laclos, Michel, Le Fantastique au cinéma (in French)

  44. Langdon, Jennifer E., Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood

  45. Lauwaert, Maaike, The Place of Play: Toys and Digital Cultures (Amsterdam University Press, 2009)

  46. Lawrence, Amy. Echo and Narcissus: Women’s Voices in Classical Hollywood Cinema. Berkeley: University of California Press, c1991 1991

  47. Leyda, Jay, Kino A History Of The Russian And Soviet Film

  48. Matsumoto, Valerie J., and Blake Allmendinger, editors Over the Edge: Remapping the American West. Berkeley: University of California Press, c1999 1999

  49. McGilligan, Patrick. Backstory 2: Interviews with Screenwriters of the 1940s and 1950s. Berkeley: University of California Press, c1991

  50. McGilligan, Patrick. Backstory 3: Interviews with Screenwriters of the 60s. Berkeley: University of California Press, c1997 1997

  51.  Münsterberg, Hugo, The Photoplay

  52. Murphy, Timothy S. Wising Up the Marks: The Amodern William Burroughs. Berkeley, Calif: University of California Press, c1997 1997

  53. Musser, Charles. Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company. Berkeley: University of California Press, c1991 1991

  54. Paulino Bueno, Eva and Terry Caesar, Imagination beyond nation: Latin American popular culture

  55. Pearson, Roberta E. Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films. Berkeley: University of California Press, c1992 1992

  56. Phillips, Alastair, City of Darkness, City of Light: Emigré Filmmakers in Paris 1929-1939(Amsterdam University Press, 2003)

  57. Pisters, Patricia, Wim Staat, Shooting the Family: Transnational Media and Intercultural Values (Amsterdam University Press, 2005)

  58. Pudovkin, V.I. Film Technique And Film Acting

  59. Richie, Donald, Japanese Cinema

  60. Riskin, Robert. Six Screen Plays by Robert Riskin. Berkeley: University of California Press, c1997 1997

  61. Ronald Duncan, Jean Cocteau: Diary of a Film

  62. Rosenbaum, Jonathan. Moving Places: A Life at the Movies. Berkeley: University of California Press, c1995 1995

  63. Rotha, Paul, Rotha On The Film A Selection Of Writings About The Cinema

  64. Rotha, Paul, The Film Till Now: A Survey of World Cinema

  65. Roy, Parama. Indian Traffic: Identities in Question in Colonial and Postcolonial India. Berkeley: University of California Press, c1998 1998

  66. Saunders, Thomas J. Hollywood in Berlin: American Cinema and Weimar Germany. Berkeley: University of California Press, c1994 1994

  67. Schivelbusch, Wolfgang. In a Cold Crater: Cultural and Intellectual Life in Berlin, 1945-1948. Berkeley: University of California Press, c1998 1998

  68. Schoots, Hans, Living Dangerously: A Biography of Joris Ivens (Amsterdam University Press, 2000)

  69. Simons, Jan, Playing the Waves: Lars von Trier’s Game Cinema(Amsterdam University Press, 2007)

  70. Smoodin, Eric, and Ann Martin, editors. Hollywood Quarterly: Film Culture in Postwar America, 1945-1957. Berkeley: University of California, c2002 2002

  71. Steene, Birgitt, Ingmar Bergman: A Reference Guide (Amsterdam University Press, 2005)

  72. Strauven, Wanda, The Cinema of Attractions Reloaded (Amsterdam University Press, 2006)

  73. Tai, Hue-Tam Ho, editor. The Country of Memory: Remaking the Past in Late Socialist Vietnam. Berkeley: University of California Press, 2001

  74. Thompson, Kristin, Exporting Entertainment: American in the World Film Market 1907–1934 (British Film Institute, 1985)

  75. Thompson, Kristin, Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005)

  76. Toepfer, Karl. Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935. Berkeley: University of California Press, c1997 1997

  77. Törnqvist, Egi, Between Stage and Screen: Ingmar Bergman Directs (Amsterdam University Press, 1996)

  78. Valck, Marijke de, Film Festivals: From European Geopolitics to Global Cinephilia (Amsterdam University Press, 2007)

  79. Valck, Marijke de, Malte Hagener (eds), Cinephilia: Movies, Love and Memory (Amsterdam University Press, 2006)

  80. Verhoeff, Nann, The West in Early Cinema: After the Beginning (Amsterdam University Press, 2006 [on the emergence of the  Western]) 

  81. Walker, Michael, Hitchcock’s Motifs (Amsterdam University Press, 2005)

  82. Walters, Suzanna Danuta. Lives Together/Worlds Apart: Mothers and Daughters in Popular Culture. Berkeley: University of California Press, 1992

  83. Wees, William C. Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film. Berkeley: University of California Press, c1992 1992

  84. Yeh, Wen-hsin, editor. Becoming Chinese: Passages to Modernity and Beyond. Berkeley: University of California Press, c2000 2000

  85. Youngblood, Gene, Expanded Cinema

  86. Zanger, Anat, Film Remakes as Ritual and Disguise: From Carmen to Ripley (Amsterdam University Press, 2006)

  87. Zielinski, Siegfried, Audiovisions: Cinema and Television as Entr’actes in History (Amsterdam University Press, 1999)

  88. Zolov, Eric. Refried Elvis: The Rise of the Mexican Counterculture. Berkeley: University of California Press, c1999 1999

Also see:

•    The Online Books Page (UPenn.edu)

 •    The Online Archive of the University of California Press

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