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Recent Posts
- Terence McKenna: The Transcendental Object at the End of Time [Documentary]
- The Three Modalities of Immanent Infinity: Life, Matter, and Thought in Henry, Deleuze, and Badiou (Audio Essay)
- A Brief Note on Kant
- The Immanence of Truths – Alain Badiou
- Hyperstition: Altering the Supposedly Predestined Future, or, Utopia as Method, Structure, and Process
- Dialectics of Time and Event from Kant and Hegel to Deleuze and Badiou
- Cronenberg, Burroughs, Deleuze (2) – The Evil Spirit and The Spiritual Automaton
- The Trouble With Pleasure: Deleuze and Psychoanalysis — Subliminal Sensibility
- Slavoj Žižek – Masterclass 1 & 2: Surplus-Value, Surplus-Enjoyment, Surplus-Knowledge
- Three Modalities of the Immanent Infinitude: Life, Matter and Thought in Henry, Deleuze and Badiou
- The Neurocognitive Revolution: Triumph or Agony?
- Postnihilistic Speculations: The Ontology of Non-Being
- Contingency, Necessity and the Final Absolute
- Zizek and the Hungry Seagull
- Philo-Fiction, Chasm, and the Abstract Manifesto
- Appeal by Sartre, Foucault, Guattari, Deleuze and others on imprisonment of Italian intellectuals, 1977
- Urbanomic Accelerationism Reader
- #www
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- The Immanence of Truth as a Process of Situating Eternity in Time
- HighIQPro Brain Training Software
- The Butterfly Effect
- What Should We Do with Our Brain? ~ Catherine Malabou
- Mindware (Neuroplasticity Software)
- Dark Chemistry aka S.C. Hickman on The Nietzschean Subject; or, the Prison-House of Delirium
- Excision Ethos: Flat Ontology and the Posthuman Object/Subject (via Dark Chemistry)
- Intellectual Mitosis (via Aberrant Monism)
- Alenka Zupančič On Comedy: The Odd One In (via Perverse Egalitarianism)
- Laughing all the way to the Bank, and eating a Banker – Notes on Subversive Humour and Impossible Violence (via counterrealism:)
- Harman on Deleuze and disappointing realisms (via Object-Oriented Philosophy)
- On The Idea of Communism (via Total Assault On Culture)
- Meillassoux: Lenin's Best Disciple (via Perverse Egalitarianism)
- the accursed share: Zizek and Materialism
- Freedom’s Fairytale? Pt. 3 Narratology, the Ancestral and the Real (via Naught Thought)
- Derin Devletin Derin Kıbrıs’ı ~ Oya Baydar
- Apocalypse Never – The End of the World from Hakim Bey, T.A.Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism(With Apologies to 2012…) (via The Necromancer)
- Zimmermann, 'Basic Concepts of Transcendental Materialism' [Updated] (via Speculative Heresy)
- Activism in structuralism: Badiou's Cartesianism and the dehumanised humanism of novelty (via Speculative Humbug)
- The Immortal Subject Beyond The Life Death Drives
- Dark Chemistry on The Life Death Drives
- Dr Meillassoux, Or How I Learned To Kill An Unconscious God (via Psychoanalysis and Speculative Realism)
- Zachary Luke Fraser's draft translation of the first chapter of Alain Badiou's Of Ideology
- Lacan's Unpublished Seminars (via Larval Subjects .)
- "Radical Thinkers: Judith Butler, Simon Critchley and Jacques Rancière on the importance of critical theory to social movements today." (via PHILOSOPHY IN A TIME OF ERROR)
- Object-Oriented Psychoanalysis and Derridean Deconstruction (#Derridagate)
- Graham Harman: The Object Smasher; or, the rhetorics of rubble (via Dark Chemistry)
- Dark Chemistry > Alien Manifesto: The Interrogation of the Real – Speculations on Realism and Materialism (via Object-Oriented Philosophy)
- "Where would I go, if I could go, who would I be, if I could be, what would I say, if I had a voice, who says this saying it’s me?" (Beckett – 2)
- Krapp’s Last Tape (Beckett – 1)
- nihilizm meselesi (via Mutlak Töz)
- The Imprisoned Creators of Our Times
- Some Remarks About Fantasy (via Larval Subjects .)
- Contemporary Art from Xetobyte
- The Unhappy Consciousness, or, Stoics and Sceptics locked in Klein’s projection-introjection mechanism
- A Conversation Around Nietzsche Between a Stoic and a Sceptic
- The ir-re.press-ible speculative turn (via ANTHEM)
- Peter Neilson, Secateurs, 2009 (via ANTHEM)
- The Significance of Gerald Edelman's Cognitive Neuroscience
- Graham Harman in Cyprus (via Object-Oriented Philosophy)
- The Speculative Turn: Continental Materialism and Realism
- Deconstruction, Psychoanalysis, and the Critique of Contemporary Culture
- Lawgiverz
- Lovecraftian Science/Lovecraftian Nature (via Speculative Heresy)
- Ben Woodard – 'A Nature to Pulp the Stoutest Philosopher: Towards a Lovecraftian Philosophy of Nature' (via REAL HORROR)
- MANTIS 075 + VOCODE RECORDS
- Conversation with Meillassoux (via Hyper tiling)
- The Black Dog – UR, We Are – One Hour With Underground Resistance
- Olay ve Hakikatin Bozguna Uğrattığı Fantezi Makineleri – Emre İleri (via Fantezi Makinesinde Hakikat Sızıntısı)
- Geçici Otonom Bölge: Henüz Ölmemiş Ölüler
- Kardeş Ruhlar Buluşunca
- Soğuklar ve Savaşlar
- Aklın sınırlarına ve ötesindeki sonsuzluğa yaptığı yolculuklarda Kant hep yalnızdı
- The Island: Waiting for a day that will never come
- ADA: Hiç gelmeyecek bir günü beklemekle geçiyor yıllar
- MANTIS RADIO 067 + RABID GRAVY + STURQEN
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Category Archives: audio-visual
hour 1 / DVNT
Randomform – Segment Slipp [Plataforma-LTW]
8Bitch – In the Moog for Love [Svetlana Industries]
Maps + Diagrams – Savannakhet [Yuki Yaki]
Herzog – Small Loves [Audio Gourmet]
Weldroid – Not Every Neuron [Kahvi]
Petrovszky – Stick to It [Sajgon Records]
Mordant Music – Olde Wobbly [Mordant Music]
Ital Tek – Massive Error [Planet Mu]
kode9 – Swarm [Rephlex]
Jam City – Arpjam [Night Slugs]
Vector Lovers – Girl + Boy (2011 remastered) [Soma] forthcoming
Kraftwerk – The Model (Dead Sound remix) [dub]
the wee djs – g [This Machine is Broken]
michaelangelo – Conception IV [Subsist]
Rory St John – Deglove [Limetree] forthcoming
Coefficient – Inverse Resonance [Duality]
2methylBulbe1ol – Glocken [Ruff Records]
Mazzula – Enya – Tekkazula [dub]
Gunjack & Boriz Noiz – Mukashi No Ningen [Syndetic Recordings] forthcoming
Somatic Responses – Clone Aware [Acroplane] forthcoming
Ed Devane – Squib [Takeover Recordings] forthcoming
hour 2 / VOCODE RECORDS
Supper Club for One – Styrofoam Sunset [Vocode]
Supper Club for One – Nothing Left To Prove [Vocode]
Supper Club for One – I Understand Perfectly Now [Vocode]
Wazo – Step Up [Vocode]
Silesian Miner’s Collective – Groove A (Derty Ratz) [Vocode]
Gruppe 909 – Outer Insights [Vocode]
Gruppe 909 – Hipsterism Is A Disease [Vocode]
Gruppe 909 – Mad Science [Vocode]
Warsaw Hoolz – Black Gold Caddy [Vocode]
Warsaw Hoolz – Don’t Make Me Smack Yo’ Momma [Vocode]
Original Console Generation – 150.4.3.162 Elektro Mix [dub]
Sound Logic – Sage Advice (Vocode Edit) [Vocode] forthcoming
075 /
It’s the final MANTIS broadcast of 2010. Generally it’s been a good year here at darkfloorHQ. Personally the year started off on a bit of downer, and as most people it’s had some blips, at times major ones, but overall, things are on the up.
The show remains popular, the darkfloor site is busier and 2011 is shaping up with some quality showcases already lined up. A lot of radio shows around this time of year like to do a retrospective of the year, and whilst I technically could do that, there are just so many fresh new bits I wanna play I don’t have the space. All the shows are of course tracklisted, archived and made available to download or stream if you fancied digging through the past years efforts. I might do a 2010 retrospective studio mix if I get a chance.
Speaking of showcases as I was but a few lines ago, for our final showcase of the year I’m very happy to present Vocode Records.
the SHOWCASE
Vocode Records is the offshoot of the long running Vocode Project, documenting the evolution of electro since 1999. The label philosophy is to release electronic music in all its forms, as long as its kopfnicken (which I think translates as head nodding). Expect to see releases in a variety of genres, but primarily in electro-bass with breakbeat grooves. Vocode Records currently operates as a netlabel licensed by creative commons guidelines.
Vocode is tended with loving care by DJ Mad Wax.
MANTIS RADIO 075 + VOCODE RECORDS // DARKFLOOR
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The Black Dog – UR, We Are – One Hour With Underground Resistance by The Black Dog
tracklist:
1. Antimatter – Underground Resistance
2. Voice Of Electrifying Mojo
3. Afrogermanic – Underground Resistance
4. Mirage – Underground Resistance
5. Windchime – Underground Resistance
6. Talkin2Z – Underground Resistance
7. Final Frontier – Underground Resistance
8. In Or Out – Underground Resistance
9. Maroon – Underground Resistance
10. Death Of My Neighbor – Underground Resistance
11. Baghdad Express – Underground Resistance
12. Inversions – Underground Resistance
13. Technology Gap – Underground Resistance
14. Antimatter – Underground Resistance
15. I Am UR – Underground Resistance
16. Tazumal – Underground Resistance
17. Hunting The Program – Underground Resistance
18. Toxic Broadcast – Underground Resistance
19. Detonate – Underground Resistance
20. Orbit (The Black Dog Edit) – Underground Resistance
21. Riot – – Underground Resistance
22. Base Camp Alpha 808 – Underground Resistance
23. Entering Quadrant 5 – Underground Resistance
24. Adernarlin – Underground Resistance
25. Gamma Ray – Underground Resistance
26. Ambush – Underground Resistance
27. Sea Quake ? Underground Resistance
28. Kill My Radio Station ? Underground Resistance
Tracklist / Chapters
Hour 1 / Dvnt 1
*Com Truise
Pyragony DOWNLOAD 2
Mr. Seavers
Dishonourable Discharge DOWNLOAD 4
Hatikvah
In The Spirit (Rod Modell / Deepchord Remix) DOWNLOAD 5
Audioelectronic
Two Trains Running (Swayzak ‘Brun’S Dunb’) DOWNLOAD 6
Ukv
Network Places (Dr. Schmidt Uranium Mix) DOWNLOAD 7
Mad Tek
The Dark Age (Teutonic Kaboom Remix) DOWNLOAD 9
Showcase 1 / Rabid Gravy 1
Rabid Gravy
Rosebud DOWNLOAD 13
Rabid Gravy
The Clap DOWNLOAD 14
Rabid Gravy
Lifetime Of Dither DOWNLOAD 15
Hour 2 / Dvnt 16
Slim Twig
Slit To The Hilt DOWNLOAD 17
Jimmy Edgar
Hot Raw Sex (Instra:Mental Remix) DOWNLOAD 19
Orien
Decaying Corpse DOWNLOAD 21
Roguestar
Cold Shivers DOWNLOAD 22
Dj Shufflemaster
Exp DOWNLOAD 23
Si Begg
Revolution (Gbass Mix) DOWNLOAD 24
Mad Tek
The Dark Age (Mazzula Remix) DOWNLOAD 25
Defekt
Replicants Mind DOWNLOAD 27
Showcase 2 / Sturqen 29
Sturqen
Kik11 (Edit) DOWNLOAD 34
Sturqen
Kie (Edit) DOWNLOAD 35
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Mazzula – 6 cans o redstripe and i’l have 10 b&h silver as well please. by Mazzula
TRACKLIST
Cynthia Stern – Follow (Mazzula Rework)
Mazzula – Arp Denial
Mazzula – Two Oscillators are Enough
Mazzula – Harsh Boy
Mazzula – Untitled
Mazzula – Purple Patches
Mazzula – Trance Bitch
Mazzula – D3d B3ar
Mazzula – Oh Ah Drama
The police murder of Andreas Grigoropoulos
Greek teen died from bullet ricochet: court sources, ATHENS (AFP)
Initial results from the post-mortem on a Greek teenager whose killing by police sparked five days of rioting show Alexis Grigoropoulos died from a bullet ricochet, court sources said Wednesday. According to forensic doctors and independent experts hired by the boy’s family, the bullet “is a bit deformed, which showed the bullet touched a hard surface” before entering the 15-year-old’s chest, sources agreed…
On the events on the evening of Saturday, December 6, 2008 and the shooting of Andreas (Alexandros) Grigoropoulos
Police accounts, faithfully reproduced in corporate/state media, and slightly adjusted over time to conform with alternative accounts, appear to be based on complete fabrications. That is, rather than police, in fear of their lives, firing a warning shot — which ricocheted and accidentally struck Andreas — tragically killing him, police appear to have deliberately and cold-bloodedly executed the teenager.
via Deadeye on ANARCHISM.net forum
Mourning the death of Alexandros Grigoropoulos of Kratzi> RIP
1st witness
-We saw them at some point, with guns in their hands walking down the street.
-Both of them?
-Both.
-And? Where did they stop?
-Here, right here. They started cussing here, “Come here punks, come and settle this”. Some kids approached.
2nd witness
-During this verbal fight, we saw no objects being thrown, suddenly one of them pulls out his gun and opens fire, straight ahead. We took a careful look and noticed someone on the ground, being dragged away by his friends, probably in fear that he would shoot again. Anyway, this is what happened, the officers were just standing still and then walked away. They turned away and left, on foot.
3rd witness
-I saw the extension of his arms, I saw him aiming. The extension of his arms, not the position of his body. I was behind him. And he aimed. He aimed towards the other end of the street, towards that group.
4th witness
-They were exchanging words. It was intense. Suddenly, without any other intervention, the patrol car abruptly departs and some time later the officers return. They stood in front of the kids and gunshots were heard. One of the kids, fell.
1st witness – resumed
-3 shots?
-3 shots because he didn’t hit him at first. This man wanted to kill. Simple as that.
5th witness
-We heard two bangs. I immediately understood it was gunfire from the sound of the very first shot. I heard the second shot, followed by a scream and a kid falling to the ground. We headed towards the kid, we dragged him away.
-What did the police do?
-The police turned their backs, as if nothing had happened, and left. We lifted his shirt, he was bleeding. We gave him CPR, the ambulance was late.
6th witness
-I saw the patrol car between Zoodoxou Pigis street and Tzavela street, it left but a minute later, the two drivers came back. They were both armed and they shot that kid, without a reason.
-Did you see them aiming?
-Yes, they were aiming.
-They didn’t shoot up to intimidate?
-No, they shot the kids that were standing there.
-Did they see the kid falling dead?
-Yes, someone shouted that the kid was wounded, but they turned and left.
Those testimonies are a bit useless without knowing what the cops themselves testified.
They claimed they were attacked by a group of 30 hooded anarchists, with rocks, sticks and molotov cocktails, while in the car. They stepped on the gas to evade them, but later returned to arrest them. They were attacked once more and while in self defense, they threw a flashbang grenade, fired two shots in the sky to intimidate the attackers and one in the ground. The last one hit the ground but ricocheted.
They’ve been flipping their story until today. Their first two lawyers have already retired from their case, for ethical reasons. The ballistic examination was completed today. The bullet remained inside the body and it indicated that it came from a higher level (the pistol) to a lower level (the victim’s body). If it was indeed a ricochet, the bullet would have entered from a lower level (the street) to a higher [point], the point of entry in the body.
At first, all media adopted the cop’s case, spreading similar news worldwide.
Now, they talk about murder in cold blood.
Alexandros Grigoropoulos, two years on…
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DOWNLOAD STREAM iTUNES RSS
hour 1 / DVNT
Goblin – Suspiria [Cinevox Record]
65daysofstatic – Crash Tactics [Hassle Records]
Mad EP – Brooklyn Freestyle [Marasm] forthcoming
James Blake – Klavierwerks [R+S]
Subeena – Wishful Talk (Ghosts on Tape remix) [Opit Records]
Girl Unit – Wut [Night Slugs]
dBridge – Lost Shadow [dub]
Pinch – The Boxer [Tectonic]
Africa HiTech – Too Late [Warp]
Radio Slave – Eyes Wide Open [R+S]
Digital Filth – Confuse Me [dub]
Charlie – Spacer Woman (vocal) [Mr. Disc Organization]
Michaelangelo – Dimensional Wormhole (James Ruskin remix) [Labrynth]
Luke Creed – Leichtreas (Gunjack remix) [dub]
Jeff Mills – Space Walk [Axis]
Jeff Mills – Diametric [Axis]
Traversable Wormhole – Closed Timelike Curve (Marcel Dettman remix) [CLR]
Legowelt – Bayville Cove [Clone West Coast Series]
Actraiser – The Plutonia Experiment [Sub Pressure]
Doktrin – Doorgang (Siege remix) [Limetree] forthcoming
Doryk – Propaganda [Transporta Records]
the wee djs – Timeline [dub]
Mad Mike – Mi Raza [Underground Resistance]
hour 2 / T-POLAR showcase
T-Polar – Every Good Sitezen/Old Jim/Plom Pollop [Electrotoxic]
T-Polar – Poindexter the Hunter [Takeover]
T-Polar – Binoculars [Thinner]
T-Polar – 2015 [Acroplane]
T-Polar – Slow Grey Nightmare [Acroplane]
T-Polar – The Earl of Jacks [Thinner]
T-Polar – Hippocampus [dub]
T-Polar – Revenge of the Chilli Earls [dub]
T-Polar – Drone Step [Digital Distortions]
T-Polar – Ghosts of Eckerville [dub]
T-Polar – Wurms [Thinner]
T-Polar – Meet Rico Ecker Bump Mix [Digital Distortions]
T-Polar – Down in Dingely Dell [Digital Distortions]
T-Polar – Thelma Step [Acroplane]
T-Polar – Little Colossus [Digital Distortions]
T-Polar – Jupiter [L2S]
T-Polar – Hot Butter Interlude [Acroplane]
T-Polar – Sunbeams Dub [Lefthouse]
T-Polar – Sunbeats [Lefthouse]
broadcast 31/10/2010
A Lacanian Ink Event – Jack Tilton Gallery – NYC, 10/15/2010
Introduction by Josefina Ayerza
via ideologic
- David Cronenberg – Introduction
- David Cronenberg – National Velvet, 1963 – Empire, 1964 – Andy Warhol by Robert Mapplethorpe, 1986
- David Cronenberg – Troy Diptych, 1962
- David Moss, David Cronenberg, Dennis Hopper, Amy Taubin, James Rosenquist – Couch, 1964
- David Cronenberg – Red Disaster, 1963
- David Cronenberg, Dennis Hopper, James Rosenquist, Amy Taubin – Screen Tests, Selected Participants, 1964-66
- David Cronenberg – Elvis I and II, 1963
- Elvis Presley – Flaming Star
- Dennis Hopper, David Cronenberg, James Rosenquist – Sleep, 1963
- David Cronenberg – Foot and Tire, 1963-64
- David Cronenberg – Sixteen Jackies, 1964
- David Cronenberg, Miriam Davidson – Miriam Davidson, 1965
- Mary-Lou Green – Haircut No. 1, late 1963
- David Cronenberg – Five Deaths, 1963
- David Cronenberg – Kiss, 1963 – Silver Disaster #6, 1963 – Blow Job, early 1964
- David Cronenberg – White, 1963
- David Cronenberg – Tunafish Disaster, 1963
- 18. David Cronenberg – Race Riot
- David Cronenberg – Most Wanted Men No. 2, John Victor G., 1964
- Amy Taubin, David Cronenberg – Silent Speed, Andy’s First Films
- David Cronenberg – Underground Filmmaking in the 60s
Recorded at The Art Gallery of Ontario
Friday, May 19. 2006
In July, he is curating an Andy Warhol exhibition at the Art Gallery of Ontario in Toronto. “Andy was making underground films when I was making underground films,” the director said. “And I was more inspired by him than by Hollywood. He created himself: He was an outsider, a Slovakian, Catholic, gay, an artist, poor; an outsider in his own family, a triple outsider like Kafka, with his nose pressed against the New York window. And, he became the ultimate insider, the center of his own world, and drew people to him. He became a huge example of the invention of an identity.” In fact, a Cronenberg character.
Conceived and narrated by renowned filmmaker David Cronenberg to accompany the exhibition Andy Warhol/Supernova:Stars Death and Disasters, 1962-1964. Commentary by David Cronenberg, Mary-Lou Green, Dennis Hopper, David Moos,James Rosenquist and Amy Taubin.
Director David Cronenberg explains the debt he owes to Andy Warhol’s bizarre and chillingly prophetic work
Monday September 11, 2006
The Guardian
Empire is the classic. It was outrageous – yet somehow it worked. An eight-hour shot of the Empire State Building, it was high concept, not in the Hollywood sense, but the art sense. It’s got potency, resonance. Andy even said the Empire State Building was a star. It’s so New York, which was the centre of the artistic universe at the time, the 1960s. That’s why I decided to begin the Andy Warhol show I am curating with Empire.
I can’t recall when I first saw a Warhol. I feel as though he was always in my consciousness. I started making films at the same time he did, and the New York underground scene is what influenced me – and that was Andy. He didn’t think you needed access to anything to do what he was doing – just grab a camera, do your own thing, and it’ll work.
Preparing this exhibition, I was initially planning to ignore the films. It seemed too obvious to bring a film-maker in and for him to choose the films. But I didn’t have to dig deep to realise it would be a major oversight. Andy started the silk screens, the film-making and the Death and Disaster series at the same time. Everything influenced everything.
By taking photos from Life magazine and newspapers, he was democratising art. He saw everything as having artistic potential. When he picked up a camera, he just shot what was there in front of him: the people he knew, the people who stumbled into his studio. So there was that link between his art and his film-making.
Andy saw a great connection between celebrity and death. Although he worshipped celebrities, he was aware that there were different kinds of celebrity, and that celebrity was somehow involved with death. Someone asked him what he was working on when he was doing his celebrity stuff, and he replied: “Death.” He only started to work on the Marilyn silk screens after she’d committed suicide.
Because of the newspapers, he saw that anyone could be plucked out of obscurity and become famous, but only for that day, for that 15 minutes. Death – some bizarre, strange, spectacular death – would do it. Hence his Tuna Fish Disaster: two women in a suburb of Detroit became front-page news because they had eaten tainted tuna fish sandwiches and died.
I’ve also included Elvis’s hit song Flaming Star in my show, to accompany Andy’s painting. I was going to sing it myself but we managed to get the rights, so we have Elvis’s version. If Andy were around, I would have asked him to sing it. Elvis was a flaming star. It’s naive to think Andy wasn’t aware of that, and of how dark the movie that featured the song was. It was a western, and westerns could be all kinds of things; every second movie was a western in those days. But Flaming Star is about racism, and everyone dies in it, including Elvis.
Andy was a celebraholic. He would go to all the movies and read all the tabloids. He wasn’t anti-Hollywood; he loved it. But he had created his own universe in New York and become its star. Being gay, Slovakian and an artist from Pittsburgh, he never felt he could storm Hollywood. So he created his own stars, called them superstars, made his own movies and had his own studio. That’s how he dealt with that desire he had to belong, to be immortalised. And there was nothing superficial about his work. It would be easy to dismiss the flowers or soup cans as flippant or ironic, but Andy was never ironic. He said he ate Campbell’s tomato soup every day as a child and an adult. It had huge significance for him.
Andy was very shy. He didn’t like to be touched. He liked to say he was completely asexual, although I don’t think that was true. He liked to be among people, but found it difficult. He said the reason he made his first film – Sleep, about a person who was asleep – was so that he didn’t have to talk or interact with him. It was his way of working with an inanimate object, because the actor was genuinely sleeping.
Andy was doubtless shocked by JFK’s death, but there’s no way he could have identified with Jack, who was too butch and macho. He would have been with Jackie. She becomes the centre of the anguish of the Kennedy assassination. Those works [the Jackie Kennedy silkscreens] are very emotional. Andy became Jackie in the end. He had a tremendous identification with the people he put in his art. He became Elvis, too, and the electric chair.
It’s fitting that this show will be running on the fifth anniversary of 9/11. I think Andy would have thought the attacks an obvious thing to do. The assault on symbols, the way they combined death and disaster – what could have been more Warholian? In his era, it would have been the Empire State Building. He would have understood the symbolism; he would have seen that much more than buildings were being attacked. The images of people jumping out of the buildings – he had already done paintings like that. It was a bizarre prophecy. He was very prophetic and accurate in his understanding of America, of commercialism, of capitalism, of its flaws and strengths.
Interview by Matthew Hays.
· Andy Warhol Supernova: Stars, Deaths and Disasters, 1962-64, curated by David Cronenberg, is at the Art Gallery of Ontario in Toronto, Canada, until October 22, 2006
RELATED RESOURCES:
Andy Warhol in UbuWeb Film
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S w a r m //// I n t e l l i g e n c e